理工学院

1、😀《理工学院♕》讲述的是什么故事？

秋霞电影网网友： 《理工学院》这是一部没有刻意的煽情，全是真实、走心的诠释的电影，

[Film Review] Polytechnique (2009) and Incendies (2010)（理工学院）影评

Denis Villeneuve, at this stage, can be sufficiently estimated as one of the most distinguished and visionary commercial directors of our era, so let us dive into his two earlier Canadian outputs, which have legitimately put his name on the map.

POLYTECHNIQUE is his third feature, a black-and-white reenactment of the deadly École Polytechnique massacre in Montreal, on December 6, 1989, which left 14 women murdered. With its 77-minute length, it is a succinct, intense drama, and unlike Gus van Sant’s ELEPHANT (2003), it sends you shudders right out of the box when gunshots suddenly disrupt the pedestrian school life of École Polytechnique, an engineering school, blood splatter and panic erupts.

After that, the film rewinds back to an earlier time of this fateful day, we get a glimpse of the unnamed killer’s (Gaudette) motive, his targets are female feminists, but Villeneuve and his co-scribe deliberately keep a lid on the details, we don’t know what breeds his hatred, maybe the lowdown is still inconclusive (an incel before the digital age?), ergo, the film’s fulcrum is to deplore the dastardly act itself, regardless of its grounds.

Valérie (Vanasse) is one of the fortunate survivors of the ordeal (does she suffers from the survivor’s guilt?), and before that, she has a first taste of working-place sexism when she is interviewed for an internship, and her classmate Jean-François (Huberdeau) is also on the spot, being the stronger sex, he is spared by the killer with other males, but he seems to be the only one who shows some valor when all hell breaks loose. And after the fact, he is tormented by mounting guilt that he hadn’t done more to prevent the mass killing (a typical messiah complex), whose ramifications are immeasurably grave, varying from individual to individual.

Shot with an absorbing fluidity often with unconventional frames (like the topsy-turvy shot of the hallway), appending a bland positive note to the coda, and grappling with prickly subjects with conviction and tact, POLYTECHNIQUE is a dry run of Villeneuve’s next picture INCENDIES, a bi-continental truth-seeking drama that knocks you dead with a bang!

A modern-day Oedipus tale that beggars belief, INCENDIES is a riddle in two parts. In the wake of the passing of their mother Nawal Marwan (Azabal), an Arabic immigrant in Canada, twins Jeanne and Simon (Désormeaux-Poulin and Gaudette) are requested, upon Nawal’s will, to ferret out their father (whom they think is dead) and brother (whose existence is unbeknown to the twins hitherto) in the Middle East.

The narrative bifurcates and alternates between Nawal’s checkered past in her war-riddled fatherland (an unnamed country, but the events alluding to Lebanese Civil War, and her actions take a leaf from the book of a Lebanese woman Souha Bechara), and decades later, the twins’ journey (Jeanne goes first and Simon will join her later) to their provenance, to discover the inconceivable story of their parentage. As an audience, you are granted an advantage of first-hand information from Nawal’s POV, while the twins slavishly track down breadcrumbs, gather details in dribs and drabs, so the film hooks you by this tack, you are one step ahead in the game, until the riddle is solved, you are in utter shock, like the twins. If you think finding out they are the offspring of a rapist is a major hammer blow, you are too naive!

INCENDIES is everything one needs to show his competence as filmmaker, blaring out Radiohead’s monotonous jeremiad, Villeneuve bestrides the two narrative strands with precision and grit, Nawal’s traumatic experience is steadfastly devised to elicit a vicarious frisson of terror and her “the woman who sings” incarceration marks a heartfelt homage to a woman’s indestructible fortitude. However, the tricky part is the final reveal, and how those characters react to the bombshell, Azabal, who is superlatively good from A to Z, registers Nawal’s quiet implosion in fine fettle, but Désormeaux-Poulin and Gaudette’s philosophical acceptance leaves much to be desired.

Notably, in this Oedipus tale, Oedipus himself is relegated to a marginal place, it is his mother and children’s story to be told, and by doing so, Villeneuve potently denounces the warfare that germinates such unthinkable tragedy, and shows us religion can be a lifesaver, but also the scourge of partisanship. Both INCENDIES and POLYTECHNIQUE are conscience-driven works of art daring to look man-made atrocity straight in the eye, and raring to urge audience to make their own unaffected judgment, although, for me, it would take an oceanic effort to rewatch them, precisely, once is enough, I dare you.

referential entries: Gus van Sant’s ELEPHANT (2003, 8.1/10); Villeneuve’s PRISONER (2013, 8.1/10); Xavier Dolan’s I KILLED MY MOTHER (2009, 7.1/10).

Title: Polytechnique

Year: 2009

Country: Canada

Language: French

Genre: Crime, Drama, History

Director: Denis Villeneuve

Screenwriters: Denis Villeneuve, Eric Leca, Jacques Davidts

Music: Benoît Charest

Cinematography: Pierre Gill

Editing: Richard Comeau

Cast:

Karine Vanasse

Maxim Gaudette

Sébastien Huberdeau

Evelyne Brochu

Pierre Leblanc

Johanne-Marie Tremblay

Pierre-Yves Cardinal

Rating: 7.3/10

Title: Incendies

Year: 2010

Country: Canada, France

Language: French, Arabic, English

Genre: Drama, Mystery, War

Director: Denis Villeneuve

Screenwriters: Denis Villeneuve, Valérie Beaugrand-Champagne

based on the play by Wajdi Mouawad

Music: Grégoire Hetzel

Cinematography: André Turpin

Editing: Monique Dartonne

Cast:

Lubna Azabal

Mélissa Désormeaux-Poulin

Maxim Gaudette

Rémy Girard

Abdelghafour Elaaziz

Allen Altman

Baya Belal

Dominique Briand

Majida Hussein

Nabil Koni

Rand Faris

Nabil Sawalha

Baraka Rahmani

Mohamed Majd

Rating: 7.9/10

以另类角度讲述真实故事（理工学院）影评

熵（理工学院）影评

几乎所有的主义都是画地为牢，都有排他性；主义不是真理，只能算方法论。主义就是冲着茫茫群体大吼一声“我们是这样，不是那样”，旗帜鲜明之余也带来了副作用：强调了差异性，将分歧赤裸化，引起对立。群体有别，男女有别，人人有别，这是事实，也是废话。更具包容性的世界观乃至宇宙观会让人看清情况：既然人人有别，那就意味着大家都不特殊。所以，别委屈；甘心，是人的高级状态。各美其美，美人之美，美美与共，天下大同。凭着这样的愿望，擎住这人间，以中和掉搅局者们造成的堕落。共勉。

2、😁这《理工学院♕》部剧中的台词，你怎么看？

神马电影网网友：最近《理工学院♕》😂上映了，没想到制作方非常地慷慨，一来就放全集，✌观众们可以一口气从第一集看到大结局。这部剧中演员们的高颜值是一大亮点之外，它里面的台词也非常的搞笑啊！台词沙雕中带着可爱。✊

3、😏《理工学院♕》有多少集？😃

被窝电影网友：私人影院。具体总集数可以去百度问答看看

4、😐《理工学院♕》😄2021年几月几日播出

青苹果影院网友：截止到2022，《理工学院♕》😅私人影院。

5、😑😆哪个网站可以免费看正版《理工学院♕》

艾玛影院网友：除了优酷视频视频软件之外你还可以去爱奇艺、芒果tv、8090电影网-2022【实时更新】超热播电影电视剧[高清不卡]免费看-8090电影网>百度视频等平台去看正版视频。

6、😒卡琳·瓦纳斯 Nathalie Girard 塞巴  的演技怎么样?"在《理工学院♕》这部剧中，你觉得卡琳·瓦纳斯 Nathalie Girard 塞巴  的演技怎么样?⚽

😇影视大全网友：最近有卡琳·瓦纳斯 Nathalie Girard 塞巴  等演员主演的私人影院一经播出就受到了很多观众的欢迎和认可，这部私人影院里面，✍演员的演技都是非常值得肯定的，我觉得卡琳·瓦纳斯 Nathalie Girard 塞巴   在里面的演技非常的好，他能够去把握这个角色所要表达的情感，向观众展现出更好的作品⚾

7、😓《理工学院♕》😈理工学院演员有哪些

人人影视网友：有以下演员主演：卡琳·瓦纳斯 Nathalie Girard 塞巴  。

8、😘😉手机端软件app怎么免费看《理工学院♕》私人影院

秋秋影视网友：您可以用手机打开百度APP在搜索框里输入：理工学院♕手机在线观看免费，就可以找到免费正版播放资源了。手机免费看理工学院♕网址:https://www.apxinxiang.cn/apvod/30827.html，这个网站免费无广告。

9、😙哪个软件可以看理工学院♕

小草影视网友：很多地方都可以看呀，我是在8090电影网-2022【实时更新】超热播电影电视剧[高清不卡]免费看-8090电影网上看的，打开APP后直接搜索“理工学院♕”就能看了。❤

10、😚《理工学院♕》😊评价怎么样？

豆瓣电影影评：我其实是想给理工学院😎颗星的，但是稍微回味了一会儿，觉得它不值，还是三星半吧。其实，我一向对香港私人影院非常宽容，甚至可以大言不惭的说，在国内和国际制作水平差距极大的情况下，我就是“双标”——都不在一个起跑线上，根本没法比呀。所以经常出现国外影片堪堪尚可，我却只给三星及格，香港私人影院只是稍微拍出了一点点好看，我就会给三星及以上，如果演员演技爆炸或者剧本极佳，我也不会吝啬我的5星，但是如果按照给国外影片打分的标准，这些香港私人影院可能通通都只能有三四颗星以下。🍚

丢豆网😍影评：剧情很流畅，人物也很丰满，节奏把握的很好，很有年代感。没有过多煽情，🍬每个人物都发挥了作用，细节也很到位。整个影片三观也很正，主演员们感情真挚，总体来说，可以和朋友一起看，推荐！！！

mtime时光网😋影评：第一次这么喜欢一部剧的女主角这个角色 聪明 独立 淡然 很有自己的主见 特别是略微带有的那一点狡黠 真是可爱极了！🍵

烂番茄影评：🎧男女主角真是清新可爱，看了之后，让我蠢蠢欲动，非常想早恋，可惜已过了早恋的年龄，o(╯□╰)o